Recent releases.
Highlights from recent shipped versions. The current build is v0.5.33. The full release feed lives on GitHub; the in-app Release history dialog (Settings → About → Release history) reads the same JSON directly.
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One player, one page
A musician can reach your library under two spellings. Danny Bank on one sleeve, Danny Banks on another, and until now that was two people with the work divided between them. Say which name is the alias and they become one: a single page, one row in Sidemen, one ranking in Stats, and either spelling finds both when you search.
Credits you type in yourself now reach the instrument pages too. Those pages were built from whatever your files said when the folder was scanned, so a name you added by hand showed up on the album and nowhere else. The a.k.a. lives on the pencil beside an artist’s name, under Real identity.
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See who still needs a bio
Library Health has a Bio coverage tab. It counts how many of your artists, producers and DJs have a written biography, birth or death dates and a birthplace, and how many are short of something.
Everyone missing anything is listed with the emptiest first, and an Open button on each row takes you to their page to fill it in. Settings, Library, Health, then Bio coverage.
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Rap and hip-hop get their own DJ credit
Rap, hip-hop and R&B tracks now carry a DJ credit, kept separate from the producer. There is a DJ field beside Producer in the track and album editors, a DJs tab on the album page, and a page for each DJ showing everything they cut, with the same notes, aliases and bio a producer already had.
The field is offered on those genres only, so a jazz or rock record looks exactly as it did. Set a DJ on an album and every track picks it up, and the credit is written into your files, so it survives a rescan and travels with the music.
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Credits filled in from the sleeve
The album editor has a Get credits online button. It looks the record up and writes in the composer, producer and personnel your files are missing, then tells you what it filled and where each piece came from. There is a run for the whole library in Settings that keeps going while you use the app and resumes where it stopped.
You decide what it may do. One list ticks the credits it can fill, another ticks the sites it may contact, and an unticked field is never asked for or written. Only empty fields are touched, so nothing you entered by hand is overwritten. A jazz date comes back with the whole quintet on every track, while engineers, mixers and sleeve designers are kept out.
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Producer credits that live in the file
A producer credit now goes into the MP3 itself, in the place other taggers and players read it from. It survives a rebuilt library and travels with the file wherever you copy it, instead of existing only inside this app.
FLAC, Ogg and M4A are read but not yet written, and the app says so rather than letting you believe the file changed. If you were crediting producers before this, Settings, Library, Scanning has a pass that walks the ones you already entered into your files.
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Who Played That on macOS
There is a macOS build, for both Apple Silicon and Intel, as a disk image you download and drag to your Applications folder.
It is not signed with an Apple developer certificate, so the first time you open it macOS will refuse. Right-click the app and choose Open, and it asks once and then remembers.
For everything in between: GitHub releases · Download the current build.